The following material and can be downloaded by copying the link and pasting, is Martin de Rada Tily et al.
grandfather was a few days ago and send you best wishes for him and the child, by the way .... Let these old brother!!
Enjoy!!
MARIAN, THE FOOT WIND
This is when Arian ago their banners and the last castaways arrive on the islands with the shadow exhausted and extend between four cups of coffee their old maps, even delusional bustle without being overcome by the tide as they survive and continue dreaming and one no longer said that the last ship departed for two moans and here we are alone and that is all and yet see, they insist, mist the compass and do not know what you are looking north away and you, Marian, listening to them, your mercy girl and protects your young tender those old pirates removed from all the cafes of Buenos Aires that make you cry tothe two deaths and at length with one eye and no tear, your song until I see a return to sail away and think about the scarves. And
Monday and Tuesday lucid and cruel, anonymous Wednesday, Thursday ashes or those Fridays knife edges where the wind and throws you a Saturday singing opulent where you say everything in a slow to no daylight Sunday deserts and solitude that urge come from todaslas subiéndote roots that feed people, because then someone will yell at the corner, someone asked for help from four gray walls while moving as a Southeast and the song is a tree in your gut grows.
be at dawn, and like so many things that you do not think so, you shall find listening to a wine cellars where it hurts most because that teen suicide has eyes or that girl dreams about one foot for months and as they sang and how deep your stay at your side and remain in your voice.
So it is very urgent that I threw out the gulls and night toward dawn.
be in Bachín or Pipo vermichellis red, or with a fat tail of rump, hard drinking men came fog, which we'll talk again of the meaning of the song to be America's voice and destiny and our song is full of people.
You see, I never look, muchachal foot of wind.
I find among my things. As a word. Armando Tejada Gómez
Gomez Farias
Marian MARIAN FARIAS GOMEZ 5005
Cabal LPC 1978?
01. TAKE ME TO THE SEA - (song) - Pocha Barros, R. Palmer
02. Zambito OF BEYOND - (samba) - Julio Jerez
03. Baguala - (chacarera) - Julio Jerez
04. WAS AN OLD STORY - (song) - Oscar Taberniso
05. Chacarera RANCH - (chacarera) - Adolfo Abalos
06. Alfonsina Y El Mar - (samba) - Félix Luna, Ariel Ramírez
07. IF YOU WANT ONE FOR MY SON - (song) - L. Castillo, A. Riti
08. IRAN WHERE IS MY PUNISHMENT - (air milonga) - Pocha Barros, Roberto Palmer
09. BITTERNESS - (chacarera) - Julio Jerez
10. TELL YOU BROTHER - (song) - B. Palombo, D. Sánchez
11. SONG OF THE TENDERNESS - (song) - C. Isella, A. Tejada Gómez
12. PANZA VERDE - (samba) - G. Leguizamon, J. Arrangements and Management
Dávalos CHANGO GOMEZ FARIAS
http://rapidshare.com/files/162957430/Marian_Farias_Gomez.rar
Performance in Esquel / Aime Paine
This is perhaps one of the most important treasures we have published. A live performance of this tireless defender of the culture of the Mapuche people. Aimé here explains each rhythm and each song for an hour of action. Said priceless treasure, as Aime Paine did not record ever dying very young, in the year 87. Our dear friend had this tape saved Leopold and now shares it with everyone. Thank you, but thanks, really!.
http://lix.in/-2b6b8b
Arribeños-DYNAMIC The
If an application is accurate adjective when referring to the folk group THE Arribeños,
that adjective is "dynamic", by propulsive energy effectively and proactively with them to guide his career.
Since this group was formed in 1959, its four members came together to give it a mode that takes away from the routine and monotonous, characters always risky for artists that at any latitude songbooks specialize in vernacular. Over a successful decade, Los Arrlbeños have developed their activities in dynamic triple role, precisely, traveling the world as part of elasticity of resources shows and listen carefully the public taste for the renewal of his repertoire.
His tours around the world recuérdanse eloquently by successful stays in Portugal, in Spain (where they recorded eight albums), Italy and France, and that Europe had good success worthy continuation in the United States, where he traveled hired by the famous Enrico Burrow, which led to his presentation at the Waldorf Hotel Astoria. The stored performance of such an emotional Arribeños: On the night of Christmas carols sung to President Kennedy, of blessed memory.
As the elasticity of its resources to integrate different shows, it is clear that she has full idea and experience the auditorlos of Argentina. Shown in the theater for the audience limited to their rooms, has been extended in perpetuity to the immensity of the television audience. In programs organized by our main channels, Los Arribeños delighted not only from the small screen with the songs of their heritage, but with plastic choreographic sense and understated elegance accompanying scenic aspects central artlstlco box.
gradual renewal of his repertoire, taking and assimilating variants that influence situational predilections in the public mood is evident in a clear demonstration as provided in this record.
deployment folk artists The Arribeños passes here for different proteins with such ease that disguises ubiquitous every effort to adapt and that is a pledge of uniquely gifted performers. The message of her fervent voices darted out on a memorandum and landscapes. In the northern samba songs tell of love and grain, or the nostalgic homeland, the lunatic dream, the flight goes to littoral double strumming and song of camavel chayero and songs that get to witness the star in the sky or sympathize with the poverty that calls for no more than baby ... The harmonious voices ranging from the jaunty air of the chacarera joyous little dance, the cueca de Cuyo the wild wit the truck or the most refined chamarrita.
There are no secrets pluralism for his art Arribeños authenticity, amenities and excitement. And whether there is musical entertainment and coral - as it is true that there is - a single secret is the secret of success, they have revealed. This album
ODEON is sworn to truthful documentary force. The Arribeños
DYNAMISM
1970 1007 ODEON LDB
01. LOVE AND WHEAT - Zamba - (H. Quiroga Mora)
02. YO SOY ARGENTINO - Rasguido double - (F. Fierro)
03. THE LOST COPLA - Chaya - (R. Navarro - Verse: A. Yupanqui)
04. STORK, STORK - Air ballecito - (J. DI Palma-E. More)
05. ASK THE LUCERO - Song - (E. Mas-T. Kolchevsky)
06. DANCING IN LEGS - Chacarera - (C. Nieto-O. Valleys)
07. Always return to SAN JUAN - Zamba - (A. Ramirez-A. Tejada Gómez)
08. TOURIST Chamarrita - Chamarrita - (R. Carret-Z. Guenole)
09. MOON SMOKE - Zamba - (D. Band)
10. Take care of YOU THAT TENES - Ranchera - (O. Valles)
11. POOR POOR - Song - (LA Giménez)
12. MY COUNTRY - Cueca - (O. Valles)
http://rapidshare.com/files/162334248/Los_Arribe_os-Dinamismo.rar
The Arribeños - FRIENDS FOR THE Arribeños
currently constitute a sets older folk projections of our environment.
born and raised in Santa Fe, his tastes are mainly aimed at the music of our Coast. and is easy to see that his greatest successes belong to the genus of chamamé ("La Palmira", "Peoncita of stay" and the strumming bent ("John Cambá" and "My Serenade").
Their personnel files show: RAUL
GITTARDI ( 3rd voice and bass). Born in Rosario on 7 July 1941. TOMAS
KOLCHEVSKY (2nd voice and 2nd guitar). Born in Santa Fe on January 26, 1941. EMILIO
MAS (bass guitar and 1a). Born in Santa Fe on November 24, 1937. DAVID
Rusillo (1st and 3rd voice guitar). Born in Buenos Aires on July 12, 1940, but raised in the city of Santa Fe
The Arribeños made his professional debut in October 1959 on "Saturday Creoles transmitting Channel 7.
Their musical culture is among the sets of edge into our folklore and can even speak of them as innovative. In this sense, the experience gained in a tour conducted by the United States and Europe, has significantly expanded its musical horizons.
In the arrangements of the issues involved who perform all the same but has a noticeable influence of Emilio Mas.
His debut in 1964 at the Teatro Nacional, marks the first incursion of a folk group in the tables in a revue. This experience was repeated in 1965 and the same will happen in 1966. This past year also said a new American and European tour and the likely performance of the group in Japan with Mariano Mores. PHILIPS
exclusive artists, this is the first long-play disc throwing the square and can say it is a token of gratitude to all those who encouraged his career. Nothing else has wanted to be titled FOR FRIENDS.
For this purpose the first band of the disc includes a samba composed by two of them, a friend, whose emotional verses have been printed on the cover of this LP. and certainly in the hearts of all who read or hear from the mouths of Arribeños.
The Arribeños-FOR FRIENDS
1966 82087 PHILIPS
0l. TO A FRIEND - (Kolchevsky-Mas) - Zamba
02. THE HUMMINGBIRD - (Rosendo Huirse Muñoz-Arr. Huirse Jorge Reyes) - popular carnival
03. CAMBA JUAN - (Sonia Galli) - Double Rasguido
04. ISLANDER CANTO - (Mehaudy-Fruit-Mordinj) - Polka
05. IN THE BANK OF BOSTON - (Evaristo Barrios-Mas-Kolchevsky) - Double Rasguido
06. THE TWO BITS - (Carlos Montbrun Ocampo) - Cueca.
07. MORENO BLONDE - (Carabajal-Juárez) - Zamba
08. Do not complain HEART - (Kolchevsky-Mas) - Chacarera
09. Peoncita OF STAY - (Linares Cardozo) - Chamamé
10. MY SERENADE - (Fermin Fierro) - Double Rasguido
11. GUILTY OF TAX - (Carret-Mas-Kolchevsky) - Chamamé
12. PRINTS ARGENTINAS:
a) flag of my nation - (RR Moreyra-Navarro JC) - Cueca
b) The Flower of Guaymallén - (Hilary Pictures) - Vals
c) Soledad - (Albert Martinez) - Vidala
d) Malone of absence - (Edmundo Rivero) - Malambo
http://rapidshare.com/files/162317749/Los_Arribe_os-Para_los_amigos.rar
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