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Antonito, historical and Noda

While this album seems to me, still be achieved, and attacking my belief of not harming the artist, I took the liberty of posting on the blog, because it is a true work of art. Not only the quality of the music, if not, by history that make this edition. Ajala Antonito not get mad, understand the situation and allow a few handles long- which would give the sale of CD-and add its complicity enchamigamiento-the group of people he admires, he wants it, but it makes this prank . Sorry brother, I made a CD! And more .... Cositas the Duo Magaldi-Noda and some loose solo Magaldi. That enjoyment and put yourself in line to defend if challenged me Antonito. Ros Seriously, please do not be mad!! We are far, no chance and .... without cash.


Antonio Tarrago Ros - Sapukai II


Rodolfo Antonio Tarrago Ros-Angel Dávila
Regunaga ISAC
ABITBOL
Special guests: Leon Gieco-Yabor-OSCAR-TENE LAIGUERA Careaga-TUCUTA GORDILLO-"ORANGE"-MATTHEW Oleart VILLALBA.

The instrumentals: Argentina

secret: A way of saying thanks! In this deep and beautiful testimony of television Bacca, Blur and the Secret Programme Team Argentina cuddle us each week. It is a musical map that leads Argentina tango air might be called "stream" or "Dock Sud."
Tita, Tita is the daughter of Isaco Abitbol. Mateo Villalba evidence in this record leaves a dream come true: playing alone with Isaco. Moncho
Sapukai: The embrace of a fellow long ways musically: Moncho Ferreira
Pa'zapatear ... or not: I had written in the application form SADAIC title "Pa'zapatear." Seeing me writing seemed authoritarian (tired of plague) so I added the democratic ".. or not."

In all topics:
Guitars: Angel Davila / Rodolfo Regunaga / Matthew Villalba-
Accordions: Antonio Tarrago Ros
arrangements, direction and production: Antonio Tarrago Ros. Recording and mixing
: Beto Videla. Assistant
study: Gerardo Scola Photo Cover: Enrique Francalanci
Art Director: Freddy Leutgebweger
was recorded in Polygram studios in April and May 1985.
dedicate this album to the memory of Carlos Marelli and Miguel Angel Merellano estrellerío that they go everywhere, but reminded us of the absence gray autumn, when everything was booming. Antonio Tarrago Ros


Sapukai II

1985 Philips 826071-1

01 - MORENO COFFEE CAMBA (Chamamé-Candombe) - (Perla Argentina, A. Tarrago Ros)
Voices: A. Tarrago Ros-Angel Davila Rodolfo Regunaga.
Bandoneon: Isaco Abitbol.

02 - MONCHO Sapukai (Chamamé) - (A. Tarrago Ros)
Sapukai: Moncho Ferreira

03 - COGOLLO LOVE (waltz almost Cuyo) - (Antonio Tarrago Ros)
Voice: Angel Dávila
Flute: Gabriel Senanes.

04 - STREET WHEN THE RAIN (Chamamé) - (Antonio Tarrago Ros)
Voice: Rodolfo Regunaga-
Chorus: Angel Dávila
Bandoneon: Isaco Abitbol

05 - A FLOWER FOR YOUR HAIR (chamamé) - (Antonio Tarrago Ros )
Voice: Rodolfo Regunaga.

06 - ARGENTINA Secret (Song) - (A. Tarrago Ros)
Sikus: Tucuta Gordillo
Charango: Rene Careaga
Quena: Raul Olarte
Percussion: Rodolfo Regunaga.

07 - PA'ZAPATEAR ... O NO (chamamé) - (Antonio Tarrago Ros)
Bandoneon: Isaco Abitbol
Sapukai: Plug García

08 - WAY OF EARTH AND MOON (Chamamé) - (Antonio Tarrago Ros)
Voices: A. Ros-León Gieco Tarrgó
Bandoneon: Harmonic
Isaco Abitbol: León Gieco
Piano: Oscar Laiguera

09 - JACKET TWO SHORES (Chamarrita / Candombe) - (José Curbelo / Antonio Tarrago Ros)
Voices: Yabor / A.Tarragó Ros
Guitar: Yabor
Percussion: Hugo Bochard

10 - HURRY JOSE (Chamamé) - (Teresa Parodi)
Voices: Rodolfo Regunaga / Angel Dávila
Bandoneon: Isaco Abitbol.

11-TITA-(Polka) - (Isaco Abitbol / Miguel Repiso)
Bandoneon: Isaco Abitbol
Guitar: Mateo Villalba

12 - A VERSE TO REMEMBER (Polka) - (JGGonzález Vedota / A. Tarrago Ros)
Voice: Rodolfo Regunaga
Bandonéon: Isaco Abitbol. Collaboration


Martin de Rada Tily


Duo Magaldi-Noda

Agustin Magaldi
CAL-3125 RCA Victor

01.
MINE STEP 02. NOMAS DEJA

03.LOS 60 riot 04. AY CORAZON
05. MY FLAG - Patriotic Cat
06. MY PAIN
07. I AM THAT I DIE - fox trot
08. Gloomy Sunday (Sad Sunday)
09. DREAMING -
song 10.
Corner 11. GUARANI LAMENT - Corrientes
song 12. The resentful - Song
13. INTOXICATION OF CRYING - bambuco air
14. Frou-frou - 10/01/1914

waltz. Agustín Magaldi Magaldi-Noda
2.4.6.9.11.13
3.5.7.8.12. Agustín Magaldi
guitars

Contribution of El Amigo Invisible

Tawnee Stone Garchando

Nagaldi-Time Quintet

If there was vocal that cemented the pleasure of all who love popular music, were The Troubadours and the magnificent Quintet time. Conjugated
talent, good taste and a repertoire according to intellectual thought and popular then.
Thanks to Martin and his cronies Lertora grouting all but forgotten by the writers, we can enjoy some of these talented and popular artists played.



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Much more, to want more popular music


WHERE AM

The emergence of the 3rd. HEREDIA VICTOR LP provided an important opening for the location in the record market of our country from those who make popular music a human commitment and aesthetic.
Because it's time - and it seems that empresasy independent producers have realized - that true values \u200b\u200bare the place they deserve and are not neglected, as now happens for 1os we must endure daily products in the Radio and TV
Those who remember the first records of VICTOR HEREDIA and do not forget their cries and poor use of vocal resources that did, can not but agree with us that this series of titles show the progress that has taken in its capacity as singer and progress as a poet and musician evidence every day. This development is not free nor capricious, but the result of his dedication to work, to their maturation as a human, a man
logic that is concerned not only about him same but, observing the reality around the capitalization for the benefit of their peers. Because the ARTIST - HUMAN that is contained in the name of VICTOR HEREDIA fortunately, has come to the conclusion that his career is at the service of others ... because the singer is wonderful job of obligations rather than rights ... When people choose an artist this is due to him, not to enjoy her popularity, but to spur
their need for perfection. And this perfection comes not only from the understanding of issues affecting the community by way of testimony, not songs of protest false-and those that are telling the timeless story of love but with the basic ingredient the work of timeless art.
could go on talking about VICTOR HEREDIA, but we prefer to say that everything is implicit in his songs and any further comment would be redundant. Just accept this reality of songs committed to man today and hopefully the example fester. MIGUEL ANGEL Merellano

RECORDS HEAR and PIN PD
A special recommendation for the work of arrangers who have worked on this album: OSCAR CARDOZO OCAMPO,
JOSE MAURICIO CARDOZO OCAMPO and men of talent PERLA.Evidentemente found. VALE.
MAM Victor Heredia


WHERE AM I-338
Microfon

01 - WHERE AM
02 - SADNESS Dear Sadness
03 - THE GREAT WAR
04 - MY OLD LOVE
05 - SEA GREEN FIELDS
06 - LOVE ME LIKE
07 - SOLDIER OF YOUR REBELLION
08 - THE BOY WHO WENT
09 - SWEET SINGER WOOD
10 - WHO MAKES THE SUN SHINE

NOTE: The songs on this album belong to Victor Heredia, except "The Great War" co-written with Armando Tejada Gomez. MUSICAL ARRANGEMENTS AND DIRECClON
: Joseph Perla, Oscar Cardozo Ocampo, Mauricio Cardozo Ocampo (h)
PHOTOS: Oscar Charles Barcellona

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AMERICA SINGS
Qualiton SQH2024

01. ARGENTINA - Manifesto Horizonte - poem - of and by A. Tejada Gómez
02. ARGENTINA - Students May - (H. Lima Quintana-IR Cosentino) - Countersong
03. URUGUAY - In the growing - (J.Carbajal-Y.Palacios) - Palacios Yamandú
04. ARGENTINA - Song for Nicholas - (JD Sánchez-B.Palombo) - HUAYFA PUKA
05. VENEZUELA - The Hawk - (joropo popular) - Isidro Contreras
06. ARGENTINA - Festival of Storage - (C. Perdiguero-G.Leguizamón) - HUAYNA SUMAJ
07. BRAZIL - Carcará - (João do Vale) - Norma Peralta
08. COLOMBIA - A mine does not go - (Anonymous Colombian S. XVIII) - Countersong
09. CUBA - Yesterday I said Black - (N. Guillén) - Roberto Darvin
10. USA - Cap'n go side track your train - (work-song) - SONG 4
11. CHILE - Green does not die alone - (L.Castillo-R.Alarcón) - Rolando Alarcón
12. CENTRAL AMERICA - Ay Mama Ines - (E. Grenet) - TRIO OF 4

Production and Art Direction: Ivan Rene Edited by Cosentino
sca PHONEME
Talcahuano 860 1 ° D / Buenos Aires

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Campos Tutu

Life takes many turns, until one finds the direction that would like to receive or dreaming. So I think
Tutu, was destined to be the voice, the voice to identify a form of delivery for a set.
They could be many, but were Los Cantores del Alba.
From this training, the song had another taste, another taste of the people and critics.
Go to Tutu, the best memories and their relatives, our respect and commitment to remain faithful to its north. Download here




HUGO DIAZ


DANCING IN THE COUNTRY Music Hall 70048 Caravelle

01. SELECTION OF POLK
a) MISSION - Polka - Fernando Bustamante
b) VALLEY R - Polka - Emilio Biyi
c) GALLITO CANTOR - Polka - Asunción Flores
02. ZAMBA OF THE FOUR WINDS - Zamba - Hugo Diaz
03. DOUBLE Chacarera - Chacarera - Andrés Chazarreta
04. MALAMBO:
NORTHERN - SOUTHERN
Andrés Chazarreta - Lombardo
05. ELPINTAO - Gato -
Diaz Brothers 06. THE Mensú - Gallop - Cidade José Vicente, Ramon Ayala
07. THE OLD - Chacarera - Julian and Francisco B. Diaz
08. Tacita de Plata - Zamba - Brothers Simon, Jose Antonio Lighthouse
09. THE hider - Chacarera - Brothers Ríos, Pedro P. Sánchez
10. PARAGUAY DANCE - Dance - Agustín Barrios
11. WHEN THE DEVIL PLAYS THE DRUM - Chacarera - Carlos Carbajal
12. SACA ISLAND - Paraguayan Polka - Mauricio Cardozo Ocampo, Santiago Cortesi

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Recovery flags

Our National History Museum is a flag made by the British in Battle of Vuelta de Obligado, was returned to the nation. But the history of this return is as emotional as unknown and this paper aims to do is tell it what not with the fervor that any Argentine would like, but with a document that 40 years later, wrote one of the commanders of the invading force Admiral Sullivan , which on October 26, 1883, - and old - was presented to the Argentine Consulate in London to return a Great Flag Argentina. The document stated:
"In the battle of the Parana Obligado October 20, 1845 an officer who commanded the main battery (it was the Manuelita) caused the admiration of the British officers who were closest to him, by the manner in which he encouraged his men and kept them at the bottom of the canyons during a heavy crossfire under which this battery was exposed. For more than 6 hours set out its entire body. For wounded prisoners was learned later that Colonel Ramon Rodriguez Patricios Regiment of Buenos Aires. When the gunners were killed, he maneuvered the guns to the infantry and he put the shot. When the fighting was over he had lost 500 men killed and wounded of the 800 that he commanded. When our forces landed in the afternoon and took the battery, with the remains of his strength began to rear, under the crossfire of all vessels who were behind the battery, defending it with weapons. Battery flag was lowered by one of the men under my command and I was given by the senior British officer. To be lowered fell on some bodies of the fallen and was stained with his blood.
I return to Colonel Ramon Rodriguez if living, or else Patricios Regiment of Buenos Aires if it exists, the flag under which and noble defense of his country many of which fall at that time it was composed. If Colonel Rodriguez has died and if there Patricios Regiment, I would ask any of the surviving members of his family to accept it in memory of her and very wild behavior him, his officers and soldiers in Obligado. Those who fought against him and had witnessed their dedication and bravery had great and sincere pleasure to know that had emerged unscathed to the end of the action. " Admiral Sullivan



The flag was sent to Buenos Aires, and later, when in doubt that the name of Colonel Rodriguez as a defender of the flag, has been released by mistake from Sullivan, the son of Juan Bautista Thorne makes Mr. Victor J. consultation Elizalde, star of the Battle of Bound, who replied on 21 April 1891 in these terms:
"In response to your very appreciable in 20 of these calls as I combatant and eyewitness in the memorable battle of Bound to certify while later you some background on the behavior observed his late father Colonel Thorne during the action, as was also Colonel Ramon Rodriguez, head of some batteries that were formed to resist the powerful enemy that attacked us, I will tell you: That the Colonel
Thorne was occupied by General Mansilla in the construction and management of the fortifications, as also was given command of the battery "Manuelita", from which withdrew after the other batteries had burned their last cartridge.
I'll tell you more: the brave and serene conduct of his father deserved the commander in chief and all his companions, the approval and applause, by the fact that left no merlon of your battery, and if he did, was when he saw that his gunners however, did not complete and accurate target. Constam
also summoned him twice to suspend the order to fire and withdraw from the battery, but he replied: "imposing their guns to fire him until victory or death", deserving of the contempt the man who was arrested in the convent of San Lorenzo where he was wounded and transported deaf. General Mansilla spot went to visit and congratulate him on his behavior, leaving the order to withdraw that his arrest was lifted.
In regard to Colonel Ramon Rodriguez, will tell you that this chief had no other role than to stay at the entrance of the mountain, which he left when we had no defenders in the batteries and the enemy landed giving the most candid and superb load the bayonet, in front of his battalion militants in Buenos Aires. Wishing
that suits this show true, it presents very carefully. Victor J.

Elizalde.

Juan Bautista Thorne.
JBThorne (biography)

With the same object, the son of historian Adolfo Thorne Saldías consulted, that the April 21, 1891 in the following replies terms:

"Dear friend:

In response to your esteemed letter of 20 this month in which you served me for my opinion whether it was Colonel Colonel Ramon Rodriguez and Juan B. Thorne, who commanded a battery in the battle of Forced against allied fleets of Great Britain and France and who was the last to be pulled out of that glorious battle, tell him I was Colonel Thorne.
Colonel Rodriguez, Assistant Army Officer worthy of Peru and the Republicans against the Empire of Brazil, battery not send any obligations.
As is documented in my "History and the Confederation Rozas Argentina, there were four such batteries, commanded respectively by Major Alzogaray, by Lieutenant Brown, Lieutenant Parker and the far left by Colonel J. Thorne. Colonel Rodriguez had command of the battalion Patricios of Buenos Aires and was on the far right flank, there being in that line to their orders rather than four guns under the command of Lieutenant José Serez. Fighting began
naturally against the right batteries, broken the chain that held the boats that were cut-off line to the passage of the river, the fire of the French and English focused on the left. At four in the afternoon, the batteries had burned almost all cartridges and the plague and the ravages of defeat taught the Argentines. But Thorne said battery even more than an hour. Gave them to the order to withdraw and said its remaining ammunition. Retirósele the order, and then, since merlon standing on the battery and going to harangue the poor soldiers, crashed into earth.
The "Philomel" commanded by Captain Sullivan and coming cutting edge, operated landing on the coast and that was when he took the flag of Argentina battery. The battalion flag of Argentina Buenos Aires Patrick was taken by the French sailors and exists in the Paris hospital of invalids.
It is doubtful, moreover, that a head of the relevant qualities of Colonel Rodriguez would have been able to action that is the Admiral Sullivan, but precisely because of their age and their conditions, and the first moments that followed the chief command of the leaderless, the wound produced fell to General Mansilla, was Colonel Rodriguez who took it over, personally leading a bayonet charge on the British and French landed when put out the fires of the three batteries right the center. The Allies landed in front of the battery on the left who commanded Thorne but the late afternoon, when there was no longer the cannon thunder Argentina. This same communication
Admiral Sullivan Argentine consul in London, was published in the National Tribune of December 22 d 1883, and there is more to look at the details given as chivalrous officer, and that is perfectly corroborated by documents and even by witnesses who survived, to ensure that they cover not Colonel Rodriguez, but Colonel Thorne. Argentina
Consul, Mr Guerrico, relative, as I have understood, of Colonel Rodriguez, perhaps for lack of data could not rectify the truth of the facts, rather than repeat, Colonel Rodriguez was not necessary to take glory to his fellow to pick the one that collected containing the winners with a magnificent bayonet charge, at the head of his militia of Buenos Aires. I

SS Adolf Saldías attentive.

We see these two men have had plenty of heroism to be filled with glory with all the defenders of national sovereignty in the Vuelta de Obligado.

Extracted from: The gazeta, a page to visit.
Link in the right column of my blog.

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More Forced Return of Martin, thank you!

... AND ONE INTENT

respond to a current question:
TRADITIONAL FOLKLORE "or avant-garde?

Arrived in Buenos Aires with the baggage of hopes that his province did they have to justify the song as its aspirations, back left the landscape of his native land, the warmth of home and in front had a difficult and rare: to folklore. Arguably, the goal is achieved. The romance of the Five North, the beauty of his songs, has penetrated deep into the audience and their performances transcend the boundaries of traditional simply, without making it lose its purest essence. Currently alternating his performance in Buenos Aires with various tours of the provinces where a large audience always required. Also just been hired exclusively for the entire year by TV "Saturday circulars" that presented in its "show of the Idols." Meanwhile, they continue to modesty their way to walk long life with a song on his lips. Pedro Alberto
Favini, gorgeous vocals and sensitive poet. Creator of issues of profound beauty ("Daddy, dear old"), measuring his words and pondered them one by one, expressing the view safely without hesitation.
-Answering this question means to speak of what is sought by traditional folk or avant-garde. At a time when reformers are successful issues, it is very easy which is to create that type of creation. However, when you have to sail against the current, not all those who dare. I the public, the ultimate jury, eventually recognizes the true creation. Of course I believe that today, as ever, we must sing to the current reality of man, which is no longer the same, although it may be equally difficult-than it was fifty years ago.
Cesar Contreras, the lead singer in love with his guitar, appears to be in its expression in his eyes, all the enthusiasm with which years ago was stealing time from sleep-working day in a mechanical workshop to study guitar. Spontaneous, with a nervousness in his voice that does not mean definitely come to meet us:
Five North-agreed long as it relates to music theory. And, although our views not a carbon copy of each other, the most important thing happens when we interpret together. That's when we feel more united. As to the question I think there is a folklore that is slowly disappearing and the other, the renovated and revitalized mind daily. But everything happening within the music itself. Something like a man who can change his mind, but still básicamenteel it.
"As for me love is the reason for all the songs-bursts Raul Alberto Ledesma, great guitarist, I think we should consider the question from that angle.
His words opened a climate of care. Then, as slowly unraveling, his "theory" is complemented ... Yes
"Stresses" love for "The Horsemen" that advances in the mist of the dawn or in the sunny afternoons of the rocks. For the cane that goes with your love to the harvest. That feeling can never be a thing of the past. Like my colleagues, I think the main thing is beauty. In faithfully reflect the reality of our beautiful people that builds singing their destination.
precisely, Max Barrera intervenes, saying:
-Five North To search for the song is like the precious metal: A big draw is that tons of material to find a valuable stone. I am convinced that when working on a "hard" human, it becomes inexhaustible. By this I mean the main thing is the work of the search and that beauty is always possible.
"Look brother, José Antonio Ragone stop smiling geologist-here I am," causing the spontaneous laughter of all its peers.
Moving on, he questioned, how are your studies in geology?
"Well, he says thoughtfully, had to choose between the song and" pebbles. " However, as our actions permit me, I continue studying. Now, with reference to the question about the content of our folk and their ways, I think there's something major, everything changes. The important thing is that the change is not artificial. Coming from specific situations, ie, valid. To
translating the thoughts that we have been listing, the five North will soon announce that the last LP that just recorded. True to themselves as the best feature of our folklore, ensure that it visibly show through their opinions.
fervent public to understand that both believe in them and expects them both to sing and listen enough, well why not?, Talking about our folklore ...
(From the magazine "FOLKLORE")

North

Top 5 ... AND ONE INTENT


Music Hall 2227 01. A SONG TO PAULINA - song - (Henry Nelson)
02. THE CAT IN THE Flagger - cat - (Waldo A. Belloso, Zulema Alcayaga)
03. PEDRO Garage - Ballad - (Pedro Alberto Favini)
04. How we are alike - song - (engine Pop)
05. GUARD IN CARNIVAL - bailecito - (Eleodoro H. Aguirre, Javier Pantaleon)
06. SPRING GIRL - taquirari - (Pedro Alberto Favini, Miguel Angel Robles)

07. STREET OF FRIENDSHIP - Song - - (Ramon Ortega, Mandy)
08. THE cheerleader - huayno bossa - (Fernández, Morelli, Reyna)
09. THE RETURN OF THE WIND - serenade - (Indio Apachaca, Gabino Correa)
10. Honeysuckle-cueca - (Jose Aguilar)
11. BESITOS A FLIRTY TIRAM - taquirari - (Pedro Alberto Favini)
12. SMALL - Waltz - (Osmar H. Maderna, Homer A. Expósito)

Conducting and Fixes: JOSE CARLI

http://rapidshare.com/files/164831933/Los_5_del_Norte-Y_UNA_SOLA_INTENCION.rar

And three more to be accumulated in the clubs:

http://
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http://rapidshare.com/files/91946981/1971_-_Los_5_del_Norte_-_Asi_cantan.rar

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Source: Cañasanta - Spain.

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I swear ... I also

Like you, like you, like everyone, I have in mind the scale in the winter, my mother busy and hiss coming from my old work.

folklore sung by my uncles and their friends, The Glostora Tango Club, with his ear glued to my old receiver, because it was cool.
Then the TV.
The Three Stooges, Jim West, El Gran Chaparral and many more ...
But the expected moment for me was the meetings of my aunts with her friends.
A coffee table with a large candymaker, invoices, mates and BidúCola.
was the big moment, because it was lit and we gave combined Rans until Saturday night, when all is spilled with bathing, dressing and going to the dance.
I, five or six years and ears ready to sound. I loved those voices, those orchestras and all the music. The tango, folklore, the instruments of that time and the great voices of Paul Anka, Los Panchos, Olga Guillot, Leo Marini ...
More than once I dreamed in a succeeding stage, sweaty and envueltoi in a standing ovation.
I could dream of something more than my parents, had time and other expectations. We were all happier
the laburante could buy a turntable and LP.
were other times, and he's right, another music .... Riding to


Hocklaoma - Freddy Theme
only summer love - Al Caiola
Lonely Trumpet - Don Nobody (Horacio Malvicino)

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Chaco - Chaco
Landricina Luís - Enrique Espinosa
soul Avio - Padre Julián Zini

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Those cards - Carlos Gardel
The forties - Charlo
Waiting in the sky - Hugo Rodolfo Biaggi
Duval
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Sandro - Sandro
Hands - After Sandro
war - Nights

lovers Download here

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Cantoral Three, Three

If you find the right words to say thank you, I think Martin would be the first recipient Lertora then its adherents and supporters.
Martin ... sorry for not finding another word that fits and make it clear your generosity and love for us.
Thanks, that's all: THANK YOU.
Enjoy!!


CANTORAL FOR ALL


In late 1972, in San Francisco (Córdoba) meet Federico Scocco, Francisco Montiel and Carlos Bergesio as director-arranger. Barreiro and summon Roberto Diego Barrado. Once formed the quintet began their activities within the province of Cordoba, winning the 1 st prize in the festival of the Paso del Salado, in Sao Tome. Soon
in Cosquín are linked to Cesar Isella, who urges the record label Philips. Are detached and Diego Barrado Roberto Barreiro and are replaced by Rojo and Eduardo Humberto Garrere. The "Black," "Pancho", "Coco", "Robi" and "Pelacho" are the mid-70s, a group whose song is framed in what is called "Song with inhabitant" where the man and his
experiences, situations or any stage of the daily struggle with reality is reflected in the song.
spent much time and water under the bridge, Francisco Montiel Federico Scocco and are the only ones left from that first training. Long long way and still have gone ahead with his singing as noble and a broad spectrum of rhythms and poetry. Carlos Bergesio continues her career as a singer and composer publishes its magazine "All Folklore and Tango" with great effort, editing, and we all deserve to read. Http://www.porsiemprefolklore.com.ar/cantoral.html



CANTORAL - PHILIPS 1976 6347481


01. ANCIENT PEOPLES OF GESTURE - (Tacún Lazarte, L. Hamlet Ouintana) - rumble
02. ZAMBA TO FORGET - (Daniel Toro, Julio Fontana) - samba
03. THE GAME - (V. Jara) - Song
04. Entrerriano BY OTHERS - (Miguel Angel Morelli) - chamarrita
05. Animaná FIRE - (Armando T. Gomez, Cesar Isella) - huayno
06. HEADING - (E. Cardinal, Cesar Isella) - Song
07. CONDOR FLIGHT - (The Jairas) - trot
08. SONG OF THE STRANGER - (Cesar Isella, Armando T. Gomez) - Song
09. LAUREL AND PALOMA - (Cesar Isella, Armando T. Gomez) - rumble
10. COPULATION - (Cesar Isella, José Ríos) - huayno

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Cantoral
VERSES FOR FREEDOM

CANTORAL comprises
Francisco Montiel - tenor 1 º
Carlos Bergecio - tenor 2 - Harmony
Federico Scocco - baritone Eduardo
Garrere - baritone
Red Roby - under

wanted on this album reflect the feelings that we invade the cantarlea this time of freedom and hope that our people live.
Recovery the rule of law can not be absent in the minds of the singers that we walk every day our country.
We want our songs to join in all the voices raised on behalf of peace and unity of our continent. Cantoral




VERSES FOR FREEDOM Philips 824229-1 - 1985

01. VERSES OF FREEDOM - D. Giribaldi, J. Marziali -
song 02. THE ROOT OF YOUR SHOUT - J. Cumbo, C. Rubio - samba
03. CAME FLYING - Patricio Mans -
song 04. AWAKENING - Maneco Galeano - guarania
05. WIN - Traditional, rel. English María Elena Walsh - Song
06. YOU AND U.S. - M. Benedetti, MA Aguirre - joropo air
07. HURRY JOSE - Teresa Parodi - chamamé
08. ZAMBA DE ANTA - G. Leguizamon, MJ Castilla, C. Retriever - samba
09. ROUND - R. Yacomuzzi, JC Molina - mark
10. CANTOR OF OFFICE - Miguel A. Morelli -

Song Download from here





FOR PEACE PHILIPS 814708-1 - 1983

01. PLURAL VERB - Armando Tejada Gomez, Cantoral - poem
02. THE OLD - H. Lima Quintana, E. Llopis - huayno
03. TRIUMPH OF U.S. - Armando Tejada Gómez, Carlos Beresio - triumphantly
04. PEACE RIVER - Antonio Tarrago Ros, Carlos Bergesio - triumphantly
05. LOVE POETRY - Juan Carlos Roca - Song
06. WORLD JUANITO LAGUNA PROMISED A - C. Mendoza, Cesar Isella - bailecito air
07. UP AND SING - Hector Black, Cesar Isella -
song 08. PERSONAL HISTORY OF THE PEACE - Armando Tejada Gomez - poem
09. WHY HAS GONE THE SUN - Pablo Neruda, Victor Heredia -
song 10. ACCOUNT WITH MY HEART - Victor Heredia - Song
11. DESPITE THE MALES - July Lacarra -
song 12. MANUAL DE LA PAZ - Armando Tejada Gomez, Cesar Isella - VOICES


song CANTORAL
Francisco Montiel (first tenor)
Carlos Bergesio (second tenor)
Federico Scocco (Baritone)
Eduardo Garrere (Baritone)
Roby Red (Low)

appreciate the participation of the following musicians:
DANIEL HOMER: acoustic guitar, acoustic, electric, electric bass
LALO HOMER: acoustic guitar on "I want poetry"
CHANGO FARIAS GOMEZ: percussion on "Win us "and" Stand up and sing "
ENRIQUE Roizner: drums on" I want poetry "and" The world promised Juanito Laguna
TARRAGO ANTONIO ROS: accordion on "Peace River)
children's choir in" Handbook peace ": Paula Nazábal-Silvia Rosana Andrea Bancalari, Laura Anahí María Eugenia Vidal-Serral-Gabriela y Romina Bergesio-Marina-Nahuel Scocco Red


Low here

Philippe Charriol Philippinesbracelet

Ramona Galarza, always wonderful.

Many people in my absence, visited the blog as one of them was the friend of musicians from here, then one way reward their support and prayers, is to get people to visit.





Ramona Galarza was born in Corrientes in 1940. Singer. Gained popularity in the '60s as part of the folk boom.
In 1967 he was named "Beloved Daughter of the city" by the city of Corrientes.
During the '70s made successful tours of America and performed at Lincoln Center and Carnegie Hall in New York, USA. UU.
participated in several films, including "Alto Paraná" (1958), "Buenas Noches, Buenos Aires" (1964), "Voyage of a Summer Night" (1965), "commissioner already has the people" (1967), " Argentinísima "(1972)," The song tells his story "(1976) and" Look how nice is my country "(1981).
Among his classical performances include 11 km, necklace of shells, Fisher, guitar, Rio rebel Merceditas, Virgin Bathed Caacupé and North. Along with Teresa Parodi
recorded a compact live performance from Corrientes, with which toured the country in 1993.
emblematic figure in Argentina's U.S. community, usually go to New York for the celebrations for the May 25
Excellent diction of the Guarani, who can not remember his memorable singing polka version of Norton Neneco "Dove."


01. The three Marys
02. Km 11
03. Poriajhu Taipero
04. Romance of the moon and flower
05. Love love
06. North bathed
07. Back in the Parana
08. Memoirs of an old
09. Shells necklace
10. Return
11. Rheta Colorado
12. Merceditas
13. Seven fig
14. The lost sister

To lower, please visit:

MUSIC HERE

Burst Capillaries Urethra

lot and well ... and Martin, as always

The following material and can be downloaded by copying the link and pasting, is Martin de Rada Tily et al.
grandfather was a few days ago and send you best wishes for him and the child, by the way .... Let these old brother!!
Enjoy!!

MARIAN, THE FOOT WIND
This is when Arian ago their banners and the last castaways arrive on the islands with the shadow exhausted and extend between four cups of coffee their old maps, even delusional bustle without being overcome by the tide as they survive and continue dreaming and one no longer said that the last ship departed for two moans and here we are alone and that is all and yet see, they insist, mist the compass and do not know what you are looking north away and you, Marian, listening to them, your mercy girl and protects your young tender those old pirates removed from all the cafes of Buenos Aires that make you cry tothe two deaths and at length with one eye and no tear, your song until I see a return to sail away and think about the scarves. And
Monday and Tuesday lucid and cruel, anonymous Wednesday, Thursday ashes or those Fridays knife edges where the wind and throws you a Saturday singing opulent where you say everything in a slow to no daylight Sunday deserts and solitude that urge come from todaslas subiéndote roots that feed people, because then someone will yell at the corner, someone asked for help from four gray walls while moving as a Southeast and the song is a tree in your gut grows.
be at dawn, and like so many things that you do not think so, you shall find listening to a wine cellars where it hurts most because that teen suicide has eyes or that girl dreams about one foot for months and as they sang and how deep your stay at your side and remain in your voice.
So it is very urgent that I threw out the gulls and night toward dawn.
be in Bachín or Pipo vermichellis red, or with a fat tail of rump, hard drinking men came fog, which we'll talk again of the meaning of the song to be America's voice and destiny and our song is full of people.
You see, I never look, muchachal foot of wind.
I find among my things. As a word. Armando Tejada Gómez

Gomez Farias
Marian MARIAN FARIAS GOMEZ 5005

Cabal LPC 1978?
01. TAKE ME TO THE SEA - (song) - Pocha Barros, R. Palmer
02. Zambito OF BEYOND - (samba) - Julio Jerez
03. Baguala - (chacarera) - Julio Jerez
04. WAS AN OLD STORY - (song) - Oscar Taberniso
05. Chacarera RANCH - (chacarera) - Adolfo Abalos
06. Alfonsina Y El Mar - (samba) - Félix Luna, Ariel Ramírez
07. IF YOU WANT ONE FOR MY SON - (song) - L. Castillo, A. Riti
08. IRAN WHERE IS MY PUNISHMENT - (air milonga) - Pocha Barros, Roberto Palmer
09. BITTERNESS - (chacarera) - Julio Jerez
10. TELL YOU BROTHER - (song) - B. Palombo, D. Sánchez
11. SONG OF THE TENDERNESS - (song) - C. Isella, A. Tejada Gómez
12. PANZA VERDE - (samba) - G. Leguizamon, J. Arrangements and Management
Dávalos CHANGO GOMEZ FARIAS



http://rapidshare.com/files/162957430/Marian_Farias_Gomez.rar



Performance in Esquel / Aime Paine

This is perhaps one of the most important treasures we have published. A live performance of this tireless defender of the culture of the Mapuche people. Aimé here explains each rhythm and each song for an hour of action. Said priceless treasure, as Aime Paine did not record ever dying very young, in the year 87. Our dear friend had this tape saved Leopold and now shares it with everyone. Thank you, but thanks, really!.

http://lix.in/-2b6b8b


Arribeños-DYNAMIC The

If an application is accurate adjective when referring to the folk group THE Arribeños,
that adjective is "dynamic", by propulsive energy effectively and proactively with them to guide his career.
Since this group was formed in 1959, its four members came together to give it a mode that takes away from the routine and monotonous, characters always risky for artists that at any latitude songbooks specialize in vernacular. Over a successful decade, Los Arrlbeños have developed their activities in dynamic triple role, precisely, traveling the world as part of elasticity of resources shows and listen carefully the public taste for the renewal of his repertoire.
His tours around the world recuérdanse eloquently by successful stays in Portugal, in Spain (where they recorded eight albums), Italy and France, and that Europe had good success worthy continuation in the United States, where he traveled hired by the famous Enrico Burrow, which led to his presentation at the Waldorf Hotel Astoria. The stored performance of such an emotional Arribeños: On the night of Christmas carols sung to President Kennedy, of blessed memory.
As the elasticity of its resources to integrate different shows, it is clear that she has full idea and experience the auditorlos of Argentina. Shown in the theater for the audience limited to their rooms, has been extended in perpetuity to the immensity of the television audience. In programs organized by our main channels, Los Arribeños delighted not only from the small screen with the songs of their heritage, but with plastic choreographic sense and understated elegance accompanying scenic aspects central artlstlco box.
gradual renewal of his repertoire, taking and assimilating variants that influence situational predilections in the public mood is evident in a clear demonstration as provided in this record.
deployment folk artists The Arribeños passes here for different proteins with such ease that disguises ubiquitous every effort to adapt and that is a pledge of uniquely gifted performers. The message of her fervent voices darted out on a memorandum and landscapes. In the northern samba songs tell of love and grain, or the nostalgic homeland, the lunatic dream, the flight goes to littoral double strumming and song of camavel chayero and songs that get to witness the star in the sky or sympathize with the poverty that calls for no more than baby ... The harmonious voices ranging from the jaunty air of the chacarera joyous little dance, the cueca de Cuyo the wild wit the truck or the most refined chamarrita.
There are no secrets pluralism for his art Arribeños authenticity, amenities and excitement. And whether there is musical entertainment and coral - as it is true that there is - a single secret is the secret of success, they have revealed. This album
ODEON is sworn to truthful documentary force. The Arribeños


DYNAMISM

1970 1007 ODEON LDB

01. LOVE AND WHEAT - Zamba - (H. Quiroga Mora)
02. YO SOY ARGENTINO - Rasguido double - (F. Fierro)
03. THE LOST COPLA - Chaya - (R. Navarro - Verse: A. Yupanqui)
04. STORK, STORK - Air ballecito - (J. DI Palma-E. More)
05. ASK THE LUCERO - Song - (E. Mas-T. Kolchevsky)
06. DANCING IN LEGS - Chacarera - (C. Nieto-O. Valleys)
07. Always return to SAN JUAN - Zamba - (A. Ramirez-A. Tejada Gómez)
08. TOURIST Chamarrita - Chamarrita - (R. Carret-Z. Guenole)
09. MOON SMOKE - Zamba - (D. Band)
10. Take care of YOU THAT TENES - Ranchera - (O. Valles)
11. POOR POOR - Song - (LA Giménez)
12. MY COUNTRY - Cueca - (O. Valles)

http://rapidshare.com/files/162334248/Los_Arribe_os-Dinamismo.rar



The Arribeños - FRIENDS FOR THE Arribeños

currently constitute a sets older folk projections of our environment.
born and raised in Santa Fe, his tastes are mainly aimed at the music of our Coast. and is easy to see that his greatest successes belong to the genus of chamamé ("La Palmira", "Peoncita of stay" and the strumming bent ("John Cambá" and "My Serenade").
Their personnel files show: RAUL
GITTARDI ( 3rd voice and bass). Born in Rosario on 7 July 1941. TOMAS
KOLCHEVSKY (2nd voice and 2nd guitar). Born in Santa Fe on January 26, 1941. EMILIO
MAS (bass guitar and 1a). Born in Santa Fe on November 24, 1937. DAVID
Rusillo (1st and 3rd voice guitar). Born in Buenos Aires on July 12, 1940, but raised in the city of Santa Fe
The Arribeños made his professional debut in October 1959 on "Saturday Creoles transmitting Channel 7.
Their musical culture is among the sets of edge into our folklore and can even speak of them as innovative. In this sense, the experience gained in a tour conducted by the United States and Europe, has significantly expanded its musical horizons.
In the arrangements of the issues involved who perform all the same but has a noticeable influence of Emilio Mas.
His debut in 1964 at the Teatro Nacional, marks the first incursion of a folk group in the tables in a revue. This experience was repeated in 1965 and the same will happen in 1966. This past year also said a new American and European tour and the likely performance of the group in Japan with Mariano Mores. PHILIPS
exclusive artists, this is the first long-play disc throwing the square and can say it is a token of gratitude to all those who encouraged his career. Nothing else has wanted to be titled FOR FRIENDS.
For this purpose the first band of the disc includes a samba composed by two of them, a friend, whose emotional verses have been printed on the cover of this LP. and certainly in the hearts of all who read or hear from the mouths of Arribeños.


The Arribeños-FOR FRIENDS

1966 82087 PHILIPS

0l. TO A FRIEND - (Kolchevsky-Mas) - Zamba
02. THE HUMMINGBIRD - (Rosendo Huirse Muñoz-Arr. Huirse Jorge Reyes) - popular carnival
03. CAMBA JUAN - (Sonia Galli) - Double Rasguido
04. ISLANDER CANTO - (Mehaudy-Fruit-Mordinj) - Polka
05. IN THE BANK OF BOSTON - (Evaristo Barrios-Mas-Kolchevsky) - Double Rasguido
06. THE TWO BITS - (Carlos Montbrun Ocampo) - Cueca.
07. MORENO BLONDE - (Carabajal-Juárez) - Zamba
08. Do not complain HEART - (Kolchevsky-Mas) - Chacarera
09. Peoncita OF STAY - (Linares Cardozo) - Chamamé
10. MY SERENADE - (Fermin Fierro) - Double Rasguido
11. GUILTY OF TAX - (Carret-Mas-Kolchevsky) - Chamamé
12. PRINTS ARGENTINAS:
a) flag of my nation - (RR Moreyra-Navarro JC) - Cueca
b) The Flower of Guaymallén - (Hilary Pictures) - Vals
c) Soledad - (Albert Martinez) - Vidala
d) Malone of absence - (Edmundo Rivero) - Malambo


http://rapidshare.com/files/162317749/Los_Arribe_os-Para_los_amigos.rar