The Tucuman, when Coco Tango Martos 
always asked myself if it was worth disarm them good, by the usual?
I have no doubt that the union of Sáenz, Altamirano and Martos, was a discovery in sound and delivery format, however, its sustainability over time is what makes me hesitate. Cesar
Coco La Partida Tuesday of Tucuman Tucuman, for me, was an irretrievable loss for all.
I do not want this to be understood as undermining to which were added after I say yes, the vocal structure must change in order to maintain quality, and even sounded great, no more The Tucuman Tucuman, had the taste of sweetness that brought Coco Martos.
is just a personal opinion inspired by the likes nothing more, do not talk about the technical side, because there would be foolhardy for me.
For the love nothing more, listening again Tuesday with Tucuman Tucuman, is that prepared a selection of popular songs recorded in the late 60's and early 70's, so that those of us who loved this training, enjoy again and with the same pleasure of time.
It's nothing special, just a whim to show what one likes, so if someone with the same taste, also can.
Hope you like it.
PD: the cover is only for looks, it has nothing to do with the musical content. Just who are the Tucuman Tucuman and Coco is Cesar Martos.
harvesters
Pato Sirirí
The dawn
Engañera
When no one will name
Alfonsina y el mar
Zambito of prayer
Sadness because
Del mar
Four words
When dawn breaks of 55
Chacarera
Part I Part II
The photo appears here is a friend, a great dancer and a better person. my hope that someone knows Daniel Oviedo and tell him what I'm trying to invite a glass of wine and the nights lengthen, as they once did. would be good to see him again. If there is more than happy ...
And you who enjoy this selection of memorable tangos.
Jewels of Tango
Canaro in Paris - Valentino Enzo - Jorge Dragone
I called my violin - Oscar Serpa - Osvaldo Pugliese
Nothing else - Mario Enrique Alessio
Saladin
Minguito Tinguitella - Frederick Grela
seems impossible - Mercedes Simone
Color Tango - Anibal Troilo
Juanito helps his mother Laguna - H. Ferrer-A. Piazzolla
Yira Yira - Sofia Bozan - Enrique Delfino
Sollozos - Hector Osvaldo Pacheco
Fresedo
The ninth - Oscar Alonso - Hector M. Artola
Griseta - Jorge Vidal, Hector Maria Artola
Grillito - Horacio Salgan
Envy - Fco Canaro - Ada Falcon -1936
Dandy - Lucio Demare - Piano Solo
Part I
Party II
Jewels of Humor in Folklore 
For a long time, I began to give talks on Folklore in various primary and secondary schools for the past two years. I was leaving a series of notes and programs, which eventually ended up being a journalist. Some, with the bonhomie of directors friends, were published. Others, like this one, were stored in drawers and in my memory. Perhaps now the time to give them light and consideration of the friends of the blog. may or may not be useful to someone. That will determine the time and the indulgence of the visitors.
Humor in Folklore
Part
The folklore of our land, from the decade of the 50-time enter-was recognized everywhere changes, developments and details of which were transcending with time and the joining of wills to each of those intentions.
One of them is humor, not the story as such, anecdotal and transmitted by word of mouth, if not, one that uses poetry and music to get the message strictly designed with suspicion, grace and voluntarily looking for fun and entertainment. Perhaps the impact
to hear something funny that in a rhythm or southern Surer, milonga, style, pattern or recited, more powerful and more attention-but yet I be right in saying that each of those letters it dawned with long taken the stove, when the countrywomen had to endure for weeks within farms and barracks, in times of temporary raw.
The humor in popular art, is one of the oldest forms of criticism with sarcasm and who produces direct incitement to an act of injustice or malice, above the common good of society.
festive rhythms such as the chamamé, chacarera, the little dance are more suitable for the invitation to humor. However, the Pampas rhythms struck with this modality, as in cases, are the stuff of great poets like Uzal, Yupanqui, Castillo, etc.
In cases with fine and delicate humor, and others, seeking friendly vocabulary afterthought.
Many are those who exploited in this type of disk mode. We can cite
-anarchic and without following a protocol-Millán Medina, Chango Rodríguez, Alberto Merlo, Chino Martinez, Coco Diaz, Antonio Tormo, etc. That
picaresque mode and full of ingenuity, also moved to the music of the city in which we can see humor and sarcasm as serious and renowned poets, raised weaknesses of society and its components, true artistic achievement. Nonsense, Pipiestrela, The world has a screw loose, Milonga in black, etc. Not to mention that everyone is a social problem, without losing the humor as a way to get more directly to the listener.
On one occasion, in coffee talk, The Black Julio Gutiérrez Martín, assured me that there were nothing more than aesthetic and poetic dissemination of bolazos forward by the old ours, when talking with mischief was due.
"I more than once, I see very Pampa area reflected in the stories of Louis Landricina, because beyond the artist paint the Chaco region, there is no doubt that these clubs, fights and situations are ridiculous in our area, that it ". (Julio Gutiérrez Martin on a personal note to LT 29 Radio Venado Tuerto)
"There was no radio, TV or newspapers. All came with a hard and long after, thanks to the radio to Galena. Then, in the daily meetings of the large ranches, mills and meeting places, subjects were finished. Them, that they talked and tried for years.
So the more lively imagination, which we call bolaceros, liars, created their own history, perhaps based on real cases, season to taste and adding situations laughing session to pass the time " . (Luis Landricina, personal note, for the option of Neuquén.
"The humor in our music, is part of everyday life, the experiences of the characters of people, ourselves, become almost a legend. I, more once was when a customer approached him to Louis (Landricina), to tell with signs, hair and last names, stories of place. Stories that then Landricina cunning and intelligence, beauty became neat and wonderful ". ( Oscar Valles, personal note from 1981 on folklore and humor).
"I am going by his personality, Don Alberto Merlo alone can give the color gives a milonguita like that. Another who has a noble quality for such things, Omar Moreno Palacios. I usually make friends in meetings where there is no other reason that the meeting and fun, but rarely used the methodology. Yes, I wrote things like claims or protests, sarcastic and sometimes using strong terms ". (Argentino Luna, personal note from 1979 on folklore in the Pampas region).
" Humor is a way, a thread conductor and very difficult to address, where it is a work to reach the public. Look you, there are few who are able to say things with humor. The monkey Rodriguez Millán Medina, poets and countless Southerners. It is not easy, much less when you should be aware not to fall in the mockery, discrimination or rudeness. It is very difficult. "
In my case, are the titles of some cats, but nothing more. But some things very well done, eh! (Eduardo Falu, personal note, 1986 for the magazine La Plana de Cultura).
The last major appearance, without doubt, are well recognized and Laurel Trio, with humor, great harmonies and better management tools, managed to impose their style and quality.
I do not need to say more than one genre, I think today I can say so, performers and audience that is willing to continue with the modality.
And not to be outdone, I set up a prank that I hope you like it.
A hug.
Part I
The meeting - The Chalets
From Cordoba - Chango Rodriguez
El Rancho and the Cambicha - Antonio Tormo
Tuna Tunit - Antonio Tormo
Part II Inside the well - Trio Laurel
The leather ball-M. Medina Millan
The encyclopedic - Coco Díaz
The Conseguidor - Andrés Cañete-Luis García
Part III That
inconvenience to visit the Pancha
Omar Moreno Palacios
With sandal - The Anta Nocheros
The powerful, Alberto Merlo
Bugs - The Troubadours
