For a long time, I began to give talks on Folklore in various primary and secondary schools for the past two years. I was leaving a series of notes and programs, which eventually ended up being a journalist. Some, with the bonhomie of directors friends, were published. Others, like this one, were stored in drawers and in my memory. Perhaps now the time to give them light and consideration of the friends of the blog. may or may not be useful to someone. That will determine the time and the indulgence of the visitors.
Humor in Folklore
Part
The folklore of our land, from the decade of the 50-time enter-was recognized everywhere changes, developments and details of which were transcending with time and the joining of wills to each of those intentions.
One of them is humor, not the story as such, anecdotal and transmitted by word of mouth, if not, one that uses poetry and music to get the message strictly designed with suspicion, grace and voluntarily looking for fun and entertainment. Perhaps the impact
to hear something funny that in a rhythm or southern Surer, milonga, style, pattern or recited, more powerful and more attention-but yet I be right in saying that each of those letters it dawned with long taken the stove, when the countrywomen had to endure for weeks within farms and barracks, in times of temporary raw.
The humor in popular art, is one of the oldest forms of criticism with sarcasm and who produces direct incitement to an act of injustice or malice, above the common good of society.
festive rhythms such as the chamamé, chacarera, the little dance are more suitable for the invitation to humor. However, the Pampas rhythms struck with this modality, as in cases, are the stuff of great poets like Uzal, Yupanqui, Castillo, etc.
In cases with fine and delicate humor, and others, seeking friendly vocabulary afterthought.
Many are those who exploited in this type of disk mode. We can cite
-anarchic and without following a protocol-Millán Medina, Chango Rodríguez, Alberto Merlo, Chino Martinez, Coco Diaz, Antonio Tormo, etc. That
picaresque mode and full of ingenuity, also moved to the music of the city in which we can see humor and sarcasm as serious and renowned poets, raised weaknesses of society and its components, true artistic achievement. Nonsense, Pipiestrela, The world has a screw loose, Milonga in black, etc. Not to mention that everyone is a social problem, without losing the humor as a way to get more directly to the listener.
On one occasion, in coffee talk, The Black Julio Gutiérrez Martín, assured me that there were nothing more than aesthetic and poetic dissemination of bolazos forward by the old ours, when talking with mischief was due.
"I more than once, I see very Pampa area reflected in the stories of Louis Landricina, because beyond the artist paint the Chaco region, there is no doubt that these clubs, fights and situations are ridiculous in our area, that it ". (Julio Gutiérrez Martin on a personal note to LT 29 Radio Venado Tuerto)
"There was no radio, TV or newspapers. All came with a hard and long after, thanks to the radio to Galena. Then, in the daily meetings of the large ranches, mills and meeting places, subjects were finished. Them, that they talked and tried for years.
So the more lively imagination, which we call bolaceros, liars, created their own history, perhaps based on real cases, season to taste and adding situations laughing session to pass the time " . (Luis Landricina, personal note, for the option of Neuquén.
"The humor in our music, is part of everyday life, the experiences of the characters of people, ourselves, become almost a legend. I, more once was when a customer approached him to Louis (Landricina), to tell with signs, hair and last names, stories of place. Stories that then Landricina cunning and intelligence, beauty became neat and wonderful ". ( Oscar Valles, personal note from 1981 on folklore and humor).
"I am going by his personality, Don Alberto Merlo alone can give the color gives a milonguita like that. Another who has a noble quality for such things, Omar Moreno Palacios. I usually make friends in meetings where there is no other reason that the meeting and fun, but rarely used the methodology. Yes, I wrote things like claims or protests, sarcastic and sometimes using strong terms ". (Argentino Luna, personal note from 1979 on folklore in the Pampas region).
" Humor is a way, a thread conductor and very difficult to address, where it is a work to reach the public. Look you, there are few who are able to say things with humor. The monkey Rodriguez Millán Medina, poets and countless Southerners. It is not easy, much less when you should be aware not to fall in the mockery, discrimination or rudeness. It is very difficult. "
In my case, are the titles of some cats, but nothing more. But some things very well done, eh! (Eduardo Falu, personal note, 1986 for the magazine La Plana de Cultura).
The last major appearance, without doubt, are well recognized and Laurel Trio, with humor, great harmonies and better management tools, managed to impose their style and quality.
I do not need to say more than one genre, I think today I can say so, performers and audience that is willing to continue with the modality.
And not to be outdone, I set up a prank that I hope you like it.
A hug.
Part I
The meeting - The Chalets
From Cordoba - Chango Rodriguez
El Rancho and the Cambicha - Antonio Tormo
Tuna Tunit - Antonio Tormo
Part II Inside the well - Trio Laurel
The leather ball-M. Medina Millan
The encyclopedic - Coco Díaz
The Conseguidor - Andrés Cañete-Luis García
Part III That
inconvenience to visit the Pancha
Omar Moreno Palacios
With sandal - The Anta Nocheros
The powerful, Alberto Merlo
Bugs - The Troubadours
Humor in Folklore
Part
The folklore of our land, from the decade of the 50-time enter-was recognized everywhere changes, developments and details of which were transcending with time and the joining of wills to each of those intentions.
One of them is humor, not the story as such, anecdotal and transmitted by word of mouth, if not, one that uses poetry and music to get the message strictly designed with suspicion, grace and voluntarily looking for fun and entertainment. Perhaps the impact
to hear something funny that in a rhythm or southern Surer, milonga, style, pattern or recited, more powerful and more attention-but yet I be right in saying that each of those letters it dawned with long taken the stove, when the countrywomen had to endure for weeks within farms and barracks, in times of temporary raw.
The humor in popular art, is one of the oldest forms of criticism with sarcasm and who produces direct incitement to an act of injustice or malice, above the common good of society.
festive rhythms such as the chamamé, chacarera, the little dance are more suitable for the invitation to humor. However, the Pampas rhythms struck with this modality, as in cases, are the stuff of great poets like Uzal, Yupanqui, Castillo, etc.
In cases with fine and delicate humor, and others, seeking friendly vocabulary afterthought.
Many are those who exploited in this type of disk mode. We can cite
-anarchic and without following a protocol-Millán Medina, Chango Rodríguez, Alberto Merlo, Chino Martinez, Coco Diaz, Antonio Tormo, etc. That
picaresque mode and full of ingenuity, also moved to the music of the city in which we can see humor and sarcasm as serious and renowned poets, raised weaknesses of society and its components, true artistic achievement. Nonsense, Pipiestrela, The world has a screw loose, Milonga in black, etc. Not to mention that everyone is a social problem, without losing the humor as a way to get more directly to the listener.
On one occasion, in coffee talk, The Black Julio Gutiérrez Martín, assured me that there were nothing more than aesthetic and poetic dissemination of bolazos forward by the old ours, when talking with mischief was due.
"I more than once, I see very Pampa area reflected in the stories of Louis Landricina, because beyond the artist paint the Chaco region, there is no doubt that these clubs, fights and situations are ridiculous in our area, that it ". (Julio Gutiérrez Martin on a personal note to LT 29 Radio Venado Tuerto)
"There was no radio, TV or newspapers. All came with a hard and long after, thanks to the radio to Galena. Then, in the daily meetings of the large ranches, mills and meeting places, subjects were finished. Them, that they talked and tried for years.
So the more lively imagination, which we call bolaceros, liars, created their own history, perhaps based on real cases, season to taste and adding situations laughing session to pass the time " . (Luis Landricina, personal note, for the option of Neuquén.
"The humor in our music, is part of everyday life, the experiences of the characters of people, ourselves, become almost a legend. I, more once was when a customer approached him to Louis (Landricina), to tell with signs, hair and last names, stories of place. Stories that then Landricina cunning and intelligence, beauty became neat and wonderful ". ( Oscar Valles, personal note from 1981 on folklore and humor).
"I am going by his personality, Don Alberto Merlo alone can give the color gives a milonguita like that. Another who has a noble quality for such things, Omar Moreno Palacios. I usually make friends in meetings where there is no other reason that the meeting and fun, but rarely used the methodology. Yes, I wrote things like claims or protests, sarcastic and sometimes using strong terms ". (Argentino Luna, personal note from 1979 on folklore in the Pampas region).
" Humor is a way, a thread conductor and very difficult to address, where it is a work to reach the public. Look you, there are few who are able to say things with humor. The monkey Rodriguez Millán Medina, poets and countless Southerners. It is not easy, much less when you should be aware not to fall in the mockery, discrimination or rudeness. It is very difficult. "
In my case, are the titles of some cats, but nothing more. But some things very well done, eh! (Eduardo Falu, personal note, 1986 for the magazine La Plana de Cultura).
The last major appearance, without doubt, are well recognized and Laurel Trio, with humor, great harmonies and better management tools, managed to impose their style and quality.
I do not need to say more than one genre, I think today I can say so, performers and audience that is willing to continue with the modality.
And not to be outdone, I set up a prank that I hope you like it.
A hug.
Part I
The meeting - The Chalets
From Cordoba - Chango Rodriguez
El Rancho and the Cambicha - Antonio Tormo
Tuna Tunit - Antonio Tormo
Part II Inside the well - Trio Laurel
The leather ball-M. Medina Millan
The encyclopedic - Coco Díaz
The Conseguidor - Andrés Cañete-Luis García
Part III That
inconvenience to visit the Pancha
Omar Moreno Palacios
With sandal - The Anta Nocheros
The powerful, Alberto Merlo
Bugs - The Troubadours
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